[ad_1] One of the biggest misconceptions I have come across in the industry is that tilt-shift lenses are just for people who shoot architecture. Once you understand how these specialist lenses work, you’ll realize how big of a deal they can be for almost any genre of photography. I have to hold my hands up…

[ad_1] Product photography doesn’t have to take a lot of equipment nor the most expensive lighting or camera gear to create highly polished images. Take a look at this breakdown showing how product photography taken with high, mid, and almost no equipment still delivers highly valuable results. From our friends at B&H Photo comes a new…

[ad_1] A YouTuber has undertaken the task of upscaling video clips taken in New York City back in 1911. Despite the footage being 109 years old, he managed to upscale the footage to 4K, while also colorizing it and increasing its frame rate to 60fps. It’s not the first time Denis Shiryaev has managed to…

[ad_1] For photographers of a certain age, the decision of whether to work in 8-bit or 16-bit is as easy as the decision between playing Nintendo and Super Nintendo in 1991. More colors led to more realistic graphics and better gameplay. The 16-bit Super Nintendo was king. The same principle holds true when working on your images…

[ad_1] Sony has unveiled its thirty-fourth full-frame E-mount lens, the FE 20mm f/1.8 G. The new 20mm f/1.8 G measures in a 2.90 by 3.33 inches (73.5 x 84.7 millimeters) and weighs 13.2 ounces (373 grams). It has a small form factor given its ultra-wide frame of view and f/1.8 aperture, but has enough weight…