Trailer: LIVE Q&A with Photography Curator Sarah Meister (May 23) – Send us your questions!




Is there a photograph in MoMA’s Collection you’d like to see up-close? Let us know in the comments below, and MoMA curator Sarah Meister will select a few of those to share with everyone!

In celebration of National Photography Month, this month’s LIVE Q&A takes you behind the scenes on a tour of MoMA’s collection storage, where many photographs are stored, followed by a Q&A with Sarah Meister on how curators choose which photographs to acquire and display.

Submit your questions in advance in the comments below, and see you on Wednesday, May 23 at 3:00 p.m. EDT. Watch live: https://youtu.be/ZXB6F51xXyY

Explore MoMA’s Photography Collection online: http://mo.ma/art

Watch more videos about Photography from MoMA:
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Interested in studying photography? Check out our free online course “Seeing Through Photographs”:
https://mo.ma/photography

See more LIVE Q&As from The Museum of Modern Art
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Explore our collection online: http://mo.ma/art
Commit to art and ideas. Support MoMA by becoming a member today: https://moma.org/join

The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.

#art #moma #museum #modernart #artist #photography #photo #sarahmeister #live #livestream #curator #askmoma

Music:
“Spring Comes Early” by Podington Bear
http://freemusicarchive.org/music/Podington_Bear/Springtime/Spring_Comes_Early

Original source


23 responses to “Trailer: LIVE Q&A with Photography Curator Sarah Meister (May 23) – Send us your questions!”

  1. Do you collect in digital photos too so that you could have a representative of all the photographers who have contributed to this great enterprise? How is the collecting the art of photography different from other works of art?

  2. I’ve found snapshot photographs thrown away in a dumpster. I use them in my mixed media work. Are their copyright and /or other issues involved in using “abandoned” photographs?

  3. In the '80s, MoMA photo curator John Szarkowski called Garry Winogrand, "the central photographer of his generation." Who do you believe is the central photographer of the current generation?

  4. Who would you consider as some of the most influential contemporary photographers of the last decade and where do you see the future of photography heading as an art form?

  5. I have never understood the reasoning or logic behind the photographer Sherrie Levine who has made outright copies of the work of Walker Evans and then displays the prints as her own, with a credit like this: "Sherrie Levine // After Walker Evans." As a professional photographer all my life, this seems like an outright copyright violation. What am I not understanding here?

  6. Hi Sarah from sunny Scotland. Firstly, I have to say that I really enjoyed Seeing Through Photographs – thank you. Two questions, if you could only save one of the photographs in the collection which would it be and why? And, with other art works conservators will clean, stabilise and repair works – what is the process with photographs and will surface scratches and other damage be repaired – if so how? Thank you, looking forward to the event 🙂 http://philipjlavery.com

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